Untitled 22 (Avian Harmony)

Rendered as three adjoining hexagonal tableaux, the work turns nature into a crystalline theater where hummingbirds and blossoms are folded into prismatic facets, as if memory itself has been cut into planes and reassembled. The restrained geometry of the backgrounds—green, gold, and terracotta—stages a quiet progression from fertile calm to sunlit intensity to earthen dusk, while the birds’ hovering diagonals puncture the stillness with flashes of kinetic desire. Light behaves less like illumination than like a sharpening tool, carving petals and wings into jewel-like shards that suggest fragility made resilient through pattern. In this stylized ecology, flight becomes a meditation on presence: the brief sip of nectar elevated into an emblem of attention, balance, and perpetual becoming.