Untitled 125 (The Yin and Yang of Existence)

This monochrome composition stages a quiet dialogue between two emblematic forms—one oval and womb-like, the other a crystalline vessel—suspended within a field of veils and taut vertical lines that feel like both barriers and lifelines. Smoky gradients and softened edges let light behave as atmosphere rather than illumination, so the central dark plane reads as a threshold where interior states gather and deepen. The symmetry is deliberately unsettled: motifs hover like memory-objects, suggesting the alchemy of containment and release, as if the work is measuring how desire, breath, and thought are filtered through fragile structures.