Untitled 2 (Abstract Painting of Goat)

This composition stages a quiet drama between still life and myth: a vase of leaves anchors the left panel while the right fractures into a linear, horned creature whose body seems to slide across the picture plane like a memory resurfacing. Broad fields of orange and acidic yellow act as emotional weather—heat and alertness—against which the spare black contour lines read as both drawing and incision, mapping sensation more than anatomy. The deliberate compartmentalization of space suggests windows, walls, or pages, turning the scene into a set of interlocking interiors where the domestic and the animalistic coexist in uneasy, luminous balance. What emerges is a meditation on presence and projection, where everyday forms become vessels for instinct, and color becomes the force that holds the narrative together.