Untitled 3 (Deep Impasto)

This work inhabits the quiet drama of near-monochrome, where an expanse of pearled whites and cool greys is animated by countless flecks and ridges that catch light like wind worrying a snowfield. The composition refuses a single focal point, asking the eye to drift and return, reading the surface as both erosion and accumulation—time made tactile. In its restrained palette, the piece becomes a meditation on threshold: between blankness and presence, silence and vibration, the seen and the sensed.