

A carved, woodcut-like figure emerges from a swamp of bruised greens and cold blues, its body built from insistent striations that read like years—rings of experience pressed into flesh. Behind it, a looming black silhouette grips the space like a shadow-self, turning the forest into a psychological chamber where protection and threat become indistinguishable. The composition’s vertical drag and scraped surfaces create a restless weather of marks, suggesting memory as something both sedimented and continually disturbed. In this uneasy light, the clenched hands and upward gaze feel less heroic than vigilant—an image of endurance negotiated under the weight of unseen forces.