



Within a circular, pond-like field of layered blues, the painting lets lotus blossoms flare into beingβhot pink against cool waterβwhile Buddha visages drift in and out like memories surfacing through silted light. The composition is built from translucent veils and rhythmic repetitions, so that faces, pads, and petals overlap without hierarchy, turning the surface into a meditation on impermanence and return. Metallic glints and textured marks act as quiet mantras, suggesting that serenity here is not emptiness but a dense, luminous fullness where the sacred is embedded in everyday pattern.







