Bull 2 (Untitled)

A storm of saturated reds, cobalt blues, and embered oranges churns around a faintly emerging visage, as if identity is being assembled and dissolved in the same breath. The composition pivots on a dotted vertical axis that reads like a seam or trajectory—an implied line of fate stitching together shards of gesture, translucent veils, and sharp-edged fragments. Light behaves here as a pressure rather than illumination, pushing color into collisions that suggest both urban noise and inner turbulence, turning the portrait into a psychological landscape. What results is an image of becoming: memory, sensation, and selfhood layered until they blur, then flare into brief, lucid intervals.