Untitled 1

A surging mass of figures dissolves into charcoal smears, as if individuality is being swallowed by the velocity of collective will. The composition pushes diagonally like a tide, its grayscale bodies pressed into one another while a hemorrhage of red—flags, splinters, and droplets—punctuates the air with urgency and alarm. Light is not modeled so much as torn open in streaks, turning motion into a moral atmosphere where fervor can read as both liberation and threat. In this blur between procession and stampede, the work asks whether the crowd protects us with belonging or erases us through unanimity.