Untitled 2

Sweeping arcs of black and ash-grey unfurl across the white field like a single breath made visible, where velocity and restraint negotiate the same space. The bristle marks, alternating between dense opacity and dry, luminous scumble, turn light into a kind of pressure—compressed at the edges, released in the pale intervals. A spine-like diagonal cleaves the whirl, suggesting a threshold between impulse and control, as if the painting records both the strike of intention and the echo it leaves behind. In its pared palette, the work becomes meditative: an image of movement that doubles as a quiet study of balance, rupture, and return.