Sahaj (The Circles of Existence)

Set against a cool, glyph-like field that reads as both city-noise and coded memory, the work organizes experience into six circular “windows,” each a self-contained cosmology. Geometric voids, a halo of figures, and a suspended blue bird move between diagram and dream, suggesting that perception is always framed—by language, by technology, by ritual—before it becomes meaning. The palette’s dusty blues and earthen reds creates a pulse between detachment and intimacy, culminating in the central, meditative visage whose red mark feels less like decoration than a quiet ignition of inner sight. What emerges is a contemporary mandala of attention: scattered modern life gathered into symbolic compartments, seeking coherence without ever fully sealing its mysteries.