

This polished metal sculpture stages a tender equilibrium between the monumental and the intimate: a reclining bovine form becomes both landscape and vessel for a small, flute-playing figure crowned with dense blossoms. The spiraling shell-like coil at the center draws the eye inward, suggesting cyclical time and devotional repetition, while the mirror sheen catches ambient light to animate the surface like moving water. Peacocks perched along the body introduce a vigilant, lyrical counterpoint—icons of beauty and transcendence—so the work reads as a quiet hymn to protection, fertility, and the sustaining music of the pastoral world.







