



Arranged as a measured grid of six framed orbs, the work stages a dialogue between restraint and eruptionβeach circular field reads like a condensed atmosphere, contained yet incandescent within the immaculate white of its surround. Color behaves as both memory and weather: acidic yellows and verdant greens bloom into painterly constellations, while fuchsias and embered reds flare with a heat that feels simultaneously celebratory and volatile. The repeated format invites comparison like specimens or planets, suggesting that emotion can be catalogued only up to the point where it breaks into improvisation, leaving the viewer to sense a quiet cosmology of inner states.







