Untitled 3 (Untitled 2)

This suite of monochrome vignettes stages everyday objects as quiet allegories of power and absence, where small intrusions of color—bananas, a red chair, a burning horizon—puncture the graphite hush like warnings that refuse to be ignored. Each composition relies on stark negative space and theatrical shadow to turn the familiar into a psychological chamber: a monument becomes a burdened limb, a chair casts an oceanic silhouette, a maze of bodies parts around a fragile ember of refuge. The grainy tonal fields and compressed perspectives suggest a world governed by systems—consumption, surveillance, crowd logic—yet the images keep a tender, unsettling ambiguity, as if meaning is always slipping between what is shown and what is withheld.