

Two attenuated figures rise like calligraphic glyphs in oxidized metal, their square βfacesβ pared down to a single puncture and a soft incision, as if emotion has been distilled to the smallest possible mark. The long horizontal bars read as outstretched arms or measuring rods, setting up a quiet tension between embrace and distance while the looping base anchors the bodies in a poised, almost dance-like equilibrium. Warm patina catches the light in bruised amber tones, giving the sculptures the aura of weathered relicsβmodern totems that speak of connection, solitude, and the fragile geometry of presence.







