Untitled 5 (Twilight's Embrace)

This painting reads like a city remembered through fog and fatigue, where architectural fragments and interior-like planes hover in a softened grid of mauves and soot. A restrained ember glow pulses from within the darker mass, as if windows or wounds briefly disclose the warmth that urban structures try to contain. The brushwork alternates between veiling and insistence—scraped marks and translucent layers—so space becomes psychological rather than literal, suggesting a place built as much from longing and disorientation as from stone.