

This sculptural head, built as a coppery lattice and packed with cool turquoise coils, stages identity as something both engineered and rememberedβan architecture of self where the face becomes a scaffold for accumulated impressions. The strict grid across the features reads like a social or cognitive framework, while the spiraling, seashell-like curls suggest thoughtβs repetitive rhythms and the tenderness of lived time. Light penetrates the openwork structure, turning absence into a material presence and letting the figure hover between containment and release, as if the mind were simultaneously protected and exposed. Anchored on a dark plinth, it holds the quiet gravity of a relic while insisting on the modern tension between interior richness and external construction.







