

This sculptural form stages a quiet collision between the certainty of geometry and the unruly insistence of organic volume: a pristine pyramid is pressed by cratered spheres that seem to swell from within the stone. The stark planes catch light with architectural clarity, while the rough, pebbled surfaces diffuse it into a softer, almost skin-like presence, turning shadow into a third material. In that tensionβedge against curve, polish against erosionβthe work reads as a meditation on containment and emergence, as if the timeless language of monuments is being gently unsettled by growth, memory, or breath.







