Untitled 2 (Fragments of Memory)

A field of cool blues is fractured by angular planes and glancing metallic strokes, as if the painting is mapping a collision between calm atmosphere and sharpened industrial memory. The composition tilts and slides in diagonal vectors, creating a tense choreography where light seems to scrape across the surface rather than settle, turning highlights into fleeting signals. Abraded textures and soot-like greys introduce a sense of weathering—an urban horizon dissolving into mist—while the layered geometry suggests resilience: structures breaking apart only to reassemble into a new, uncertain order.