Untitled 35

This painting stages a city-like architecture in the language of abstraction, where planes of violet and mauve stack and fracture like hurried construction under shifting weather. Thin, insistent black lines act as scaffolding and nervous cartography, while flecks of white and acidic yellow ignite the surface like streetlights or sparks, suggesting life persisting inside compression. Depth is built through overlapping blocks and angled passages that alternately invite entry and deny it, turning space into a psychological maze. The work reads as a meditation on modern density—beauty and strain held in the same breath, as if the metropolis were both shelter and pressure.