Mannequins

Rendered in stark black against an expanse of white, two elongated figures stand like improvised calligraphy—reduced to angular bones and decisive strokes that make absence feel as present as form. Their mirrored lean suggests a dialogue held in silence, where proximity becomes tension and the slight tilt of each body reads as hesitation, listening, or guarded intimacy. The severe economy of line turns the scene into a meditation on human relation: how we approach one another as outlines first, and only later as full, knowable beings.