Composition 14 (Faces within Faces)

In this cubist-inflected arrangement of faces, identity feels layered like architecture—each profile a wall that both protects and confines. Muted greys, sanded ochres, and velvety blacks create a hush of interior light, while the single, watchful eyes puncture the calm with quiet unease. The overlapping planes imply a dialogue between selves: the public mask in the foreground and the more vulnerable, half-hidden presences receding into shadow. Space becomes psychological rather than physical, suggesting memory and intimacy compressed into a single, fragile construction.