

Suspended within a radiant yellow field, the circular stage becomes a microcosm where pattern behaves like atmosphere—vibrating, optical, and quietly destabilizing. Two butterflies drift across overlapping orbs of mauve and slate, their fragile bodies rendered with intimate clarity against a ground of woven, wave-like marks that suggest frequencies, migration routes, or the invisible mathematics of air. The composition balances tenderness with precision: a green arc reads as both horizon and passage, guiding the eye through a space that feels simultaneously scientific diagram and dream. In this tension, the work proposes nature not as pastoral certainty, but as a delicate signal negotiating the dense textures of perception.







