Vistar

This work reads like a stratified landscape seen through memory rather than geography—horizontal bands of umber, ochre, and soot-black accumulate into a quiet architecture of time. Angular forms interrupt the steadiness of the layers, as if buried structures or distant ridgelines are surfacing, then receding again, while thin seams of light slice through to suggest erosion, fracture, and revelation. The restrained palette—punctuated by a single cool blue line—introduces a fleeting breath of distance, turning the composition into a meditation on endurance and the tenuous clarity that appears between heavier epochs.