

This bronze sculpture arrests two horses at the instant where impulse becomes geometry—bodies arcing in opposite directions yet tethered by a single, taut point of contact. The patinated surface catches light like weathered skin, letting highlights skim over muscular planes while shadows deepen the torsion, turning motion into a palpable mass. Set atop a stark pedestal, the airborne figures read as a quiet allegory of dual forces—freedom and restraint, ascent and collapse—held in precarious, breathless balance.







