The unmistakable sonic signature of Abbey Road Studios’ echo chambers was born in the 1950s. This plugin
designed in close collaboration with Abbey Road
models not just three chambers—but also the tape delays
filters
speakers
mics
and signal path that were a crucial part of this sound.
If you get goosebumps when you hear your vocals through these reverbs
maybe it’s because you’re hearing the same reverb effect that graced John Lennon’s voice on “A Day in the Life.”
Historically Accurate Reverb Sound
Abbey Road’s original reverb sound wasn’t just about the gorgeously lush chamber itself
but also the warm analog signal chain through which the natural chamber signal passed. For the first time anywhere
all these elements are modeled with historically accurate precision.
Add Life and Space to Tracks
For vocals
Abbey Road Chambers adds a rich
snappy tone. For synths
it breathes life and character. Drums hit with power. Electric guitars evoke a full
focused sound. History aside
this plugin delivers a stunning chamber reverb sound. The Dry/Web Mix control allows you to blend in the reverb to taste.
Choose Your Chamber: 3 Distinct Choices
Choose the natural reverb sounds of three famous chambers: Abbey Road’s original Studio Two
the Studios’ Mirror Room and
as a bonus
the Stone Room from London’s Olympic Studios—each with its own distinct natural reverb character.
Discover the One-of-a-Kind S.T.E.E.D Effect
Abbey Road’s engineers often sent the chamber’s signal to a feedback loop running from the studio’s console
via tape delay
via RS106 and RS127 filters
to the chamber and back. This unique “S.T.E.E.D.” (Send. Tape. Echo. Echo. Delay.) effect is impossible to create in any other way. Abbey Road Chambers packs it into easy-to-use controls
which you can use with the chamber reverb or separately.
Not Only Reverb: An Entire Effects Chain
Audio was rarely run directly into the reverb. Instead
EMI’s RS106 and 127 high-pass
low-pass
and midrange EQs tailored the sound being reverberated. Abbey Road Chambers meticulously models these specialty Abbey Road EQs.
Customize Your Mics and Speakers
Great chamber reverb sounds are also about mic choice and placement. Customize your setup—from original valve Neumann KM53 microphones and lo-fi Altec 605 speaker
used on almost every pop recording made at Abbey Road in the ‘60s
to modern mic and full range speaker choices.
Features:
Models Abbey Road’s reverb chambers and processing chain
Includes both Abbey Road’s Studio Two and Mirror Room chambers
Features the pre-chamber S.T.E.E.D. tape delay system
Dedicated EMI RS106 and RS127 EQs to sculpt the chamber effect
Exceptional tonality for vocals and for transient-heavy instruments
Bonus: Olympic Studios’ famous Stone Room chamber
Choose speakers and mics
as well as their room placement
Artist presets by Dave Pensado
Jacquire King
Guy Massey
more
Requirements:
Platform
CPU
RAM
Disk
Notes
Additional Requirement
Audio Card
Ports
Internet Required
32 Bit Support
64 Bit Support
Plugins
mac
Intel or Silicon Architecture
8
16
Minimum: 1024x768
Recommended: 1280x1024 / 1600x1024
USB displays are not supported as the primary display.