Untitled 21

Two suspended ledges hold a procession of slender, dark figures, their dangling legs and small pauses between bodies turning the wall into a quiet theater of waiting. The composition divides the field into a warm rose band above and a cool indigo expanse below, suggesting parallel strata of experience—separate “floors” of the same urban condition where proximity never quite becomes connection. Repetition reads as both community and anonymity, while the stark white supports act like institutional brackets, framing the human presence as something arranged, counted, and momentarily held in place. In the tension between playful miniature scale and somber silhouettes, the work meditates on how modern life seats us together yet keeps each interior world intact.