Untitled 4 (Spiral Arbor)

This monochrome drawing stages a quietly ecstatic “tree” whose canopy is built from interlocking circles, as if growth were not botanical but mathematical—an accumulation of repeated gestures that becomes complexity through insistence. The dense lattice at the center compresses space into a pulsing nucleus, while the scalloped rim and subtle hatching propose a breathable boundary between order and overflow. Below, the trunk’s disciplined vertical lines anchor the airy web above, and the curling spirals read like subterranean currents—memory, time, or thought—feeding an architecture of becoming rather than a depiction of nature.