

A burnished orb anchors the composition like a quiet nucleus, while a radiating lattice of petal-like lozenges unfurls outward, turning geometry into something palpably organic. Verdigris greens and oxidized bronzes breathe across the surface, their weathered patina suggesting time’s slow alchemy and the dignity of erosion. The disciplined symmetry produces a meditative pull—an image of inward focus and outward expansion—where light seems to be held, filtered, and released through repeating cells. In its fusion of metallic weight and floral cadence, the work reads as a mandala of resilience: order not as rigidity, but as a vessel for renewal.