Face To Face

This composition behaves like a stained-glass memory, partitioning human profiles into a lattice of ochres and blues where thought and sensation are continually reframed. The repeated faces—some inward, some confronting—suggest a chorus of selves, their outlines softened by translucent layers that let one emotion bleed into the next. Curving filigree and drifting, petal-like marks act as breath or synapse, turning the picture plane into a psychological map where identity is not fixed but assembled through overlap. The cool horizontal currents at the base anchor the warmer, earthen tones above, hinting at a tension between grounded reality and the restless interior world.