Where We Go

Three heavy bodies, rendered with a disquieting tenderness, cling together atop a jagged, black wedge that reads like a torn fragment of modernity—both raft and rupture—while a cold, stippled blue field offers no horizon, only suspension. Their skin is patterned with faint blocks of text, as if identity has been laminated by media, labeling, and consumption; the bright shirts and casual accessories flirt with pop immediacy even as the figures seem weighed down by the very narratives they wear. One points outward with decisive urgency, yet the gesture feels strangely unmoored, suggesting a collective longing for direction amid drift and fracture. The composition turns “progress” into an unstable promise—an advance that looks perilously like being carried forward by forces larger than the self.