You've heard the original units on almost everything the Beatles recorded at Abbey Road. You've heard it
most famously
on Paul McCartney’s immortal bass lines. There’s a reason why Abbey Road considered these heavily modified Altec compressors their “secret weapon.”
More recently
the RS124 sound has been a favorite of Grammy-winning mix engineer Tony Maserati
taking advantage of its unique compression tone on Beyoncé's and Alicia Keys' vocals.
Rescued from the Abbey road archives
several original RS124 units were restored to fully operational status in 2000. And now
thanks to Waves’ meticulous modeling
the RS124’s legendary sound is yours.
Ultra-Rare Tube Compression: Bass and Beyond
RS124 was an Abbey Road modification of the Altec 436B compressor: only 25 units were ever made. It shaped the thick
creamy tones of nearly every Paul McCartney bass line in the Beatles: “Come Together” is a prime example. Abbey Road engineers would typically push the input deep into 15-20 dB of gain reduction
producing wonderfully lush results.
Two RS124 Flavors: Studio vs. Cutter
No two RS124s sounded exactly the same. The Studio model emulates the famous 60070B unit known for its more aggressive sound that squashed transients
with faster attack and release times. The Cutting model has the slower attack time favored by Abbey Road’s cutting rooms—more suitable for bus compression and mastering.
Go Super-Aggressive with Super Fuse
Want RS124 to become more aggressive? The Super Fuse mode matches release time to attack time
creating a brutal compression character that sounds like it’s “fighting against itself.” Try this on your drum bus for complete room destruction
or to make your beats jump out of the speakers.
Original Sound. Modern Additions.
For modern mixing capabilities
features have been added to the original RS124: Sculpt your sound with mid-side processing
in addition to stereo
dual mono
and mono. Roll off high frequencies to smoothen the sound. Apply the Sidechain Highpass to remove low frequencies from your bass/kick sidechain. Dial in the perfect blend with Dry/Mix.
Features:
Unique compression for vocals
beats
bass
synths and mix buses
Two RS124 versions with different tube flavors: Studio and Cutter
Mono
stereo
left
right
mid
and sides processing and monitoring
Sidechain highpass filter can beef up compressed bass or kick
Optional high-frequency roll-off for softer tones
Designed in close collaboration with Abbey Road Studios
Super Fuse mode adds explosive
aggressive compression sound
Optional Auto Hold feature reduces compression artifacts
Dry/mix controls for parallel
“New York style” compression
Presets by Beatles remixer Guy Massey and many more artists
Requirements:
Platform
CPU
RAM
Disk
Notes
Additional Requirement
Audio Card
Ports
Internet Required
32 Bit Support
64 Bit Support
Plugins
mac
Intel or Silicon Architecture
8
16
Minimum: 1024x768
Recommended: 1280x1024 / 1600x1024
USB displays are not supported as the primary display.