Untitled 4 (Serene Morning)

A tranquil field of lily pads unfurls like a mosaic of softened circles, their layered greens and ochres drifting across a cool, submerged blue that steadies the eye. Above, a broad wash of warm gold reads less as sky than as atmosphere—an enveloping light that turns the pond into a threshold between the tangible and the remembered. The white blossoms punctuate the surface with quiet insistence, suggesting moments of clarity rising from stillness, where serenity is not empty but patiently accumulating. In the gentle blur of edges and the hush of contrasts, the painting becomes a meditation on renewal—how brightness can feel both distant and intimate at once.