



This abstract surface reads like a body of water remembered rather than observed—horizontal strata of graphite-grey broken by sudden flares of turquoise and gold that behave as drifting reflections. The composition’s calm, lateral pull is repeatedly interrupted by fissures and peel-like edges, suggesting time-worn layers where clarity surfaces only in fragments. Light is not painted as a source but as an event: brief, luminous disclosures that hint at submerged depth beneath a weathered skin. In this tension between erosion and radiance, the work becomes a meditation on perception—how the world arrives to us as shimmer, interruption, and afterimage.







