Maybe you’d like to record in the Sydney Opera House. Or in the Grand Ole Opry. Or in the Manhattan Center
or in Wembley Stadium
or in Birdland. Or record dialogue in a stairwell
a church
a car interior
or on the Todd-AO scoring stage. For all of these—you want IR1.
Convolution reverb’s uncanny ability to reproduce hyper-realistic acoustic environments is well-known
but IR1’s 2
000+ impulse responses are what truly bring convolution reverb to life.
Algorithmic Reverb Familiarity
With IR1
editing convolution reverb can be just as easy as editing conventional algorithmic reverb. You’ll find familiar reverb parameters—like RT60 decay time
size
density
ER buildup
and a 4-band EQ to set damping.
Superior Shaping
Despite impulse responses being static
the envelope shaper allows non-linear responses—faster or slower decay
gated responses
tails that swell up before decaying
rhythmic chopping
and more.
Shift Into Reverse
The innovative Reverse mode reverses the tail
but not the original sound being processed. The result is ghostly
evocative reverb that still retains the intelligibility of vocals and instrument attack/decay characteristics.
Over 2
000 Spaces
The crown jewel of the package is over 2
000 meticulously recorded impulses of acoustic spaces
including venues from around the world—often with different seating positions and microphone polar patterns.
Impulse Customization
The IR1 separates the direct sound
early reflections
and tail
each with its own gain and predelay parameters. Also
you can trim the impulse start for an instant attack
or the end for a shorter reverb that needs less CPU power.
Features:
4.8 GB library of impulses covers a huge variety of acoustic spaces
Modify impulses with multiple editable parameters
All impulses recorded with premium field-recording gear
Can also faithfully reproduce classic digital reverb hardware
Includes the sweep file needed to create your own impulses
Import third-party impulses from the internet
or use WAV files
With mono
mono-to-stereo
full stereo
or efficient stereo modes
Shape the reverb envelope to produce non-linear effects