Communication 2 (Triptych of Circular Motifs)

Arranged as a vertical litany of circular vignettes, the work reads like a sequence of inner climates—each roundel a sealed horizon where figures, fish, and emblematic forms drift between reverie and alertness. The palette of milky blues and bruised reds, edged by dense black contour, stages a continual negotiation between calm and urgency, as if water and heat are competing for the same breath. Repeated motifs—eyes, profiles, spiral-whorls, and suspended fish—become symbols of memory and instinct, suggesting nourishment and vulnerability held in the same fragile orbit. What emerges is a quiet narrative of transformation: the self mirrored, doubled, and re-assembled across cycles, with the circle acting less as a boundary than as a vessel for becoming.