

A monumental faucet rises like an austere totem, its heavy, matte volume rendered through meticulous hatchwork that makes the surface feel both industrial and strangely tender. Beneath its suspended droplet, small bird-like forms—part ornament, part living presence—hover in a quiet choreography, as if the promise of water has transmuted into fragile flight. The vast white field amplifies the tension between abundance and withholding, turning a utilitarian object into a meditation on control, desire, and the delicate economies of sustenance. In this distilled, surreal theatre, gravity itself becomes poetic: what should pour instead pauses, and the withheld flow is answered by imagination.







