Untitled 129 (Silent Bloom)

This monochrome composition stages an intimate theater of forms—part vessel, part mouth, part hovering moon—where silhouettes hang in a hush of suspended time. The stark white void cuts through velvety blacks, turning negative space into a charged silence, while the pin-like uprights read as fragile markers of memory or ritual, poised above a contained interior. Drifting flecks and a seed-like orb on the right suggest a quiet dispersal—thoughts, spores, or unspoken words—so the work becomes a meditation on containment and release, on what is held close and what inevitably escapes into the larger night.