



This work stages three suspended ovals like quiet bodies in transit, their interiors stippled with minute marks that read as both cellular texture and distant constellations. Vertical bands of muted beige and gray act as a measured architecture, regulating the eye’s movement while allowing soft halos and translucent overlaps to dissolve hard boundaries. The restrained palette—cool blue, earthen umber, and a late-surging red—suggests an emotional progression from contemplation to insistence, as if memory gathers density before finding its voice. Scraped white gestures interrupt each form like erasures or sutures, implying that identity here is not fixed but continually revised by time and contact.







