

This work suspends the viewer between atmosphere and earth, where a honeyed veil of light dissolves into a moss-green field, as if memory itself were settling into pigment. Drips and softened stains move downward like weather or time, while the embedded, stone-like forms anchor the composition with a quiet, mineral gravity—fragments of permanence surfacing through translucent layers. The interplay of chalky haze and metallic, bruised grays suggests a landscape remembered rather than seen, a meditation on how solidity endures even as perception continuously erodes and renews.







