Untitled 2 (Boats in Harbor)

This work stages a volatile meeting of atmospheres: cool, oceanic blues are scraped and washed across the surface, only to be interrupted by bruised reds and soot-dark bands that read like structural shadows or distant architecture. The composition pivots on a luminous, eroded center where white and pale gray open a temporary refuge, yet the surrounding abrasions and crosshatched marks keep the calm under negotiation, as if memory is being revised in real time. Flecks of yellow hover like fragile signals—sparks of insistence against the heaviness—suggesting hope not as resolution, but as intermittent illumination within turbulence.