Bull 14

A monumental bovine form, rendered in obsessive black-and-white patterning, becomes less an animal than a living terrain—its skin a dense cartography of labor, endurance, and accumulated time. Against this gravitational mass, the small tree erupts into mosaic-like color, as if imagination itself is blooming at the edge of a disciplined, monochrome world. The composition stages an intimate collision between appetite and abundance: the creature’s quiet pull toward the foliage reads as both sustenance and longing, suggesting how life persists by grazing on brief, radiant intervals of beauty. In the tension between meticulous line-work and saturated ornament, the work frames nature as a shared economy of need, patience, and renewal.