


This painting orchestrates a quiet festival of forms, where faceted faces and interlocking limbs become a single communal bodyβeach figure absorbed in the inward trance of sound. Warm ochres and embered reds press against cool violets and slate blues, creating a harmonic tension that mirrors the dialogue between drum, flute, and the soft punctuation of hanging bells. The tilted geometry and layered planes suggest movement without spectacle, as if music here is less performance than refugeβan intimate architecture that holds together memory, ritual, and belonging.







