Untitled 67 (Kaleidoscope of Creatures)

This dense, dreamlike tableau stages a hybrid ecology where trees become target-like totems and creatures drift through the air as if gravity were merely a suggestion, turning the landscape into a memory-map rather than a place. Saturated rings of color punctuate the field like watchful eyes, creating a rhythmic architecture that both orders and overwhelms, while the grey ground reads as a hushed atmospheric veil holding the spectacle in suspension. The scattered animals and mushroom forms imply a fragile covenant between wilderness and imagination—an Eden reassembled from symbols—where abundance carries an undertone of vigilance. In its ornamental profusion, the work suggests that nature is not simply observed but internalized, catalogued, and reinvented into a private cosmology.