

Suspended in a field of velvety darkness, the work conjures a luminous micro-landscape—etched blades of grass and botanical silhouettes rising like quiet sentinels—where light becomes the true medium and shadow the defining architecture. The repeated cuts and perforations read as a kind of visual code, suggesting nature translated through technology, memory, or data, as if an ecosystem were being reconstructed from fragments of information. Its layered planes create a trembling depth: a diorama that feels at once tenderly organic and eerily manufactured, inviting contemplation of how the living world persists as both presence and afterimage.







