Untitled 4 (Deep Waters)

This work stages a quiet drama of submerged architecture, where translucent teal fields and bruised blues fold into one another like memory settling back into water. Flecks of white and scraped linear marks act as nervous cartography—half-erased routes and thresholds—suggesting a place that is simultaneously mapped and unreachable. The intermittent olive and lemon accents read as brief surfacings of light, small assertions of hope against the painting’s prevailing depth and drift. In its layered veils and softened edges, the piece becomes less a landscape than a meditation on containment, erosion, and the fragile persistence of structure within uncertainty.