Untitled 2

This tactile relief arranges hundreds of pale, ringed pellets into drifting constellations that read like coral colonies or cellular blooms, turning the flat plane into a quiet field of accumulation and time. A sinuous band of translucent teal cuts diagonally through the composition, functioning as both river and scar—an abrupt, glassy counterpoint to the matte, granular ground. The tension between porous earth-tones and the cool, sealed sheen suggests an ecology negotiating intrusion, where growth persists yet is continually redirected. In its restrained palette and obsessive repetition, the work becomes a meditation on mapping—how environments, memories, and bodies are charted through residue, clusters, and gaps.