Untitled (Four Figures)

This composition fractures the picture plane into four tense chambers, where a lattice of scraped, insistent marks reads like an urban grid pressed over drifting silhouettes, as though memory is being mapped and erased at once. A fiery red field and a deep blue counterfield pull against each other across the central seam, staging an emotional migration from heat to quiet, urgency to reflection. The suspended, birdlike forms and sharp polygonal shards hover between apparition and debris, suggesting flight arrested mid-thought—an allegory of desire trying to navigate structure. Light is not painted so much as excavated, emerging from the crosshatching as a bruised glow that turns the entire surface into a record of pressure, movement, and withheld release.