

This procession of sacred cattle becomes a living tapestry, where each body is not merely outlined but densely inhabited—patterned with miniature faces and scenes that turn flesh into collective memory. The warm ochre ground reads like an ancestral wall or manuscript, against which the interlocking silhouettes create a rhythmic surge of movement, as if devotion itself were marching across time. By balancing austere black-and-white ornament with a single riotously populated, chromatic figure, the work suggests the tension between archetype and lived experience—icon and community—held together by the same ceremonial harness. What emerges is a quiet grandeur: abundance without chaos, and reverence expressed through intricate, patient accumulation.







