

This work operates like a bruised palimpsest—three vertical fields of stained gray that feel scraped, weathered, and re-written with each splatter and drip. Charcoal-black eruptions and blood-red flickers puncture the surface in a tense choreography, where chance gestures read as both rupture and record, as if the canvas were keeping memory in bruises rather than lines. The faint diagrammatic marks and the ghost of a vessel-like curve on the right offer a fragile structure that repeatedly fails to contain the turbulence, turning the composition into a meditation on containment, injury, and the persistence of trace.