Untitled 1 (Inferno)

This abstract composition ignites the surface with a dominant field of ember-orange, as if heat itself has been flattened into pigment and laid down in broad, confident planes. Across that radiant ground, fractured bars of indigo, teal, and soot-black drift and collide, suggesting a choreography of interruption—signals, scaffolds, or broken coordinates—trying to assemble meaning but remaining poignantly unresolved. The scraped edges and scumbled passages expose a tactile history beneath the color, turning the painting into a palimpsest of decisions where abrasion becomes a kind of honesty. In its restless balance between order and scatter, the work reads like a map of emotional weather: intensity held in suspension, with brief cool notes offering resistance, breath, and possibility.